A simple and sensual dance originating in the Dominican Republic, bachata’s colorful roots are reflected in its romantic movements and accompanying music. Today. This exciting dance form is popular throughout Latin America and beyond. Bachata is relatively easy for students and allows dance teachers a lot of freedom to show off their skills.
Learning Basic Bachata on Your Own
No1 I Feel Like Winning
Bachata is an 8-rhythm dance (like salsa). Bachata music has four beats per scale. At its simplest. Bachata dancers move left for one measure of four strokes, then right for the next measure. Listen to the music and try to find the beat. Modern electronic bachata music usually has some synthesized beat that hits each beat. Making finding the beat easy. Traditional bachata music can have a more complex beat. But usually has beats that are easy to “feel”. 
Here is an example of how to count your steps during the basic bachata: (step left) 1, 2, 3, (4), (step right) 5, 6, 7, (8), (step left) 1, 2, 3 , (4), etc. The fourth and eighth beats are indicated in parentheses because these beats are often counted silently.
In terms of modern “bachata,” you might want to check out the work of contemporary Latin artists like Prince Royce, Anthony Santos, and Aventura. Don Omar. And Mate Peroni. These artists are influenced by bachata and many songs are recorded in the modern bachata style. By Anthony Santos. Try starting with “Creiste”
Older, more traditional bacha artists may be a bit more obscure today. Due to the popularity of their “pop” counterparts. Take a look at artists such as Yoskar Sarante. And Frank Reyes. And Joe Veras. The song “Intentalo Tu” by Joe Ferras is a wonderful bachata tune with a semi-traditional flavor.
However. The best option is to have a personal tutor who can teach you an educational style that suits you the most
No 2 Steps to The Left
Start with both feet together. Calculate the rhythm of the music: 1, 2, 3, 4, 1, 2, 3, 4. When you are ready. Start moving to the left with your left foot on the beat of 1. Then bring your right foot to the lead of your left foot on the beat 2. Step left With your left foot again on hit 3. Then finally lift your right foot off the ground slightly on hit 4. 
No 3 Note The Movement In The Hips.
You may have noticed that by lifting your right foot off the ground slightly. You had to raise your hips to the right. This is ideal – in the end, the effect you want to create is the effect of continuous and moving movement of the hips. As you continue to dance, be aware of the movement of your hips. 
No 4 Repeat Your Steps In The Opposite Direction.
Do not stop! Place your right foot on the floor on the next 1 stroke, moving forward to the right. Then, simply reverse the movements you’ve already made in the opposite direction: bring your left foot to your right on hit 2. step right on hit 3. and lift your left foot slightly on hit 4. Your hips should swing to the left now.
No 5 Keep Time And Repeat.
Once you have a feeling for the pulse of bachata, practice these basic steps. When you dance, keep your knees slightly bent (bending them more when you lift your foot) and keep your hips swaying rhythmically.
In bachata. The swaying motion in the hips is typically more pronounced in the female partner than in the male partner. As with many forms of Latin dance
If you think this is very simple, don’t worry – the bachata is about to get much more interesting.
Incorporating a Partner
No 1 Ask Your Partner to Dance.
Knowing how to accept “yes” or “no gently” is essential to avoid embarrassment at clubs and parties. Quinceañeras and other places where you might want to do the bachata. Men ask women to dance In traditional bachata. The instructions below assume a traditional situation. However. Today it is quite acceptable for women to order.
Gentlemen – when you want to dance with someone, be direct. But polite. Approach your potential partner directly. Offer her your hand (palm) and say something short and direct along the lines of “Hey. Would you like to dance?” If accepted, great! Take her hand and go to the dance floor. If you don’t want to for any reason, politely accept a short acknowledgment like “Oh. Okay. No problem.” Then move on.
Ladies – When asked to dance, answer kindly but honestly. If you want to dance, simply say “I’d like to,” then take your partner’s hand and go to the dance floor. If you don’t, decline politely and briefly and honestly explain why you don’t. For example. You might say. I wish I could, however. I am suffering from heel pain.”
No 2 Hold Your Partner
there are two primary positions for your partner to hold – the open position and the closed position. The open position places more space between the two partners since they only communicate through their hands. Advanced movements such as turns are easier to execute in the open position. The closed position. On the other hand. Is somewhat more intimate. Involving an arm draped across the lady’s back and light to strong contact between the two partners’ bodies. The closed position is more common in modern clubs and ballrooms due to the narrow floor space. See below for guidance on both situations:
For the open position. Keep your arms loose and relaxed. Offer your partner a lady with both palms of hands. Facing up. She will gently put her hands in yours – let her rest there. Don’t hold your thumb. Your elbows and your partner’s elbows should be bent at your sides. Which will separate your body about a foot or two.
For the closed position. wrap your arm around your lady’s body so that your palms rest approximately in the middle of her back. She will place her arm above yours, and place her hand near your shoulder. With your unengaged arm (called your “main arm”), hold her other hand out to the side at about shoulder or chest height. Keeping both elbows bent. And Do not intertwine your fingers – your hands should be held in the palm of the hand. With the back of your hand facing outward. While dancing, use your outstretched hand to lead your partner and gently guide her upper body in the direction you’re moving.
For the open position. Keep your arms loose and relaxed. Place the palms of your hands in your partner’s palms. Remember to keep your elbows bent to allow flexibility and ensure that you are fairly close to your partner.
For the closed position. When your partner wraps their arm around your back, place your arm on them and place them close to their shoulder. Allow your partner to hold your other hand – the back of your hand should be facing you. While their back should be facing outward. Keep your elbows bent and remember to hold your palms (don’t cross your fingers).
Step In With Your Partner.
Simply practice moving in time to the music with your partner. You may find that coordinating your movements to step to the beat is more difficult than you first thought! Regardless of whether you’re in an open or closed position, both partners perform basically the same “four left beats, four right beats” movement described above. However, you need to realize that since both partners are facing each other, one of them will go in the opposite direction as shown.
Traditionally, in bachata, the man leads, so, if you are a lady, you can just follow the direction of his movement, whether that means moving to the right or left first.
No 4 Combine The Movement Back And Forth
As your bachata skill improves and you start dancing with partners. you’ll want to move away from the basic left and right bachata steps and toward a more advanced and varied step pattern that also uses back and forth motions. These back and forth movements are done almost identically to the left and right movements—in other words, you’ll go forward 3 strokes and pop your hips on the 4th stroke, then step back 3 beats and pop your hips on the 4th stroke, lather, rinse, and repeat. When the leading partner steps forward, the next partner retracts with the opposite foot. 
For starters, try moving through the basic bachata steps left and right twice, then do a back and forth movement twice, then switch back to the left and right movement and repeat. Your steps should be as follows:
(left) 1, 2, 3, (4) (right) 1, 2, 3, (4), (left) 1, 2, 3, (4) (right) 1, 2, 3, (4)
(Forward) 1, 2, 3, (4), (backward) 1, 2, 3, (4), (forward) 1, 2, 3, (4), (backward) 1, 2, 3, (4)
(left) 1, 2, 3, (4), (right) … and so on.
Note – Because in traditional bachata leading the male partner, the direction (forward) indicates his point of view. The female partner (or subsequent) will decline as the leading partner advances, and vice versa.
No 5 Add Roles.
In dance bachata One of the most important partner movements made in the bachata is the turn. In the simplest form of this movement, the male partner raises his arm, allowing the woman to complete a full cycle in time to the music, then both partners return to normal dancing without losing rhythm. Follow the instructions below to play an essential role:
Gentlemen dance the bachata – while dancing mentally calculate the rhythm (1, 2, 3, 4). On the fourth blow, begin to raise your front arm above your partner’s head and begin to release the grip of your other arm (as a reminder, in the closed position, the front arm is the arm outstretched, rather than the arm wrapped around your partner’s back). At the first step of the next measurement, your partner will begin to rotate in a circle under your arm, gently grabbing your leading arm as you do. You’ll finish playing beat 3, so both of you are dancing in sync again on the 4th beat and you’ll be able to move together in the opposite direction on the next 1.
Ladies – Feel your partner’s leading arm begin to rise on strike 4. Continue to hold on to your partner’s lead arm, but release your grip on your partner’s shoulder with your other arm and move under the curve of their leading arm. On the first stroke, start spinning in a circle under his leading arm. Try to finish playing 3 hits so you can hit 4 in “normal” dance mode and step together in the opposite direction when you hit 1
No 6 Pay Attention to Your Partner.
Above all, bachata is meant to be a way of fun for two people. Both men and women should try to give their partners their full attention. At the simplest level, this means looking at your partner while you are dancing, not on the floor (especially the other people you want to dance with). In addition, this applies to your dance: 
Pay attention to your partner’s movements. If you’re driving, make sure your partner keeps up with you. If you follow, try to match your partner’s directions and anticipate which way he will go next.
When your partner makes a magical movement like spinning or spinning, give your partner the attention they deserve. In general, unless you’re doing a simultaneous special move for two people, you shouldn’t be doing your own moves while your partner is doing his or her moves in dance bachata.
Spicing It Up
No 1 Get Your Whole Body Moving.
Bachata should not be a gloomy mixture – it should be a cheerful and lively dance. As your bachata skill grows, try to incorporate more of your body into your basic stride patterns. For example, instead of keeping your upper body mostly straight, try moving your arms in a pumping motion and twisting slightly during the movement. Try bending your knees and popping your hips more than you normally would in a low sensory swing. Eventually, when you feel comfortable, bachata should become a naturally full-body activity. 
No 2 Add Bachata Urbana Flavor.
In most modern dance bachata clubs, you will encounter a casual, modern version of bachata, rather than the more formal and traditional version. This version of the dance, called “bachata Urbana,” includes a variety of added movements and subtle variations to give the bachata a fresh, modern feel. Here are instructions for two bachata Urbana moves that can give your dance routine some modern flair. 
Slide – This movement is usually performed when you usually step in the opposite direction as the front arm (this arm is usually the leading partner’s left arm, meaning you’ll do this movement when you usually step on their right). To do this movement, mentally count the rhythm of the music (1, 2, 3, 4). In the 4th strike of the “to the left” measure, the lead partner raises his main arm so that his and his partner’s hand are above their heads. On the first hit of the “correct scale,” he drops his front hand to just below the waist, takes a big step back with his back leg, and slides back up to the fourth hit. The next partner reflects on his movements.
Male Role – This movement allows the male partner to enjoy a flashy transformation for a change. The male role works especially well after the traditional female role, so we’re going to assume that you just “caught” your partner who is playing Rhythm 4. On the first stroke, start turning in front of your partner – she doesn’t need to raise her hand on you like she does when you turn. When she turns, she should keep her elbows bent and her hands in front of her. In this way, as you turn, you can grab her non-leading arm with your front arm so that, for a brief moment, she grabs your hands and faces you the same way with your back forward. Keep turning and “hold” her hands as they normally would in beat 3 so that they dance in sync again in beat 4.
No 3 Add A Complex Movement
When two experienced bachata dancers dance with each other, they are unlikely to content themselves with the basic “left, right, front. And back” steps for long. As you grow as a bachata dancer, for more challenge and entertainment, you’ll likely want to start throwing new and more complex foot movement patterns into your repertoire.  Here are some ideas you might want to exercise:
heel steps. Typically, on the fourth stroke of each measurement, you’ll raise your foot slightly and roll your hips out to the side. Instead, try kicking your foot slightly so that her heels are touching the ground and her toes are raised. You may need to bend your knees slightly to do this comfortably. The end result should be fairly accurate – not an exaggerated “Cossack dance” kick, but a slight variation on your normal step.
torsion. Instead of moving back and forth, spend as much as twisting with your partner. Bend your knees a little more than usual, then roll your hips and legs along with the rhythm of the music. Try varying between twisting twice per measurement (once every two beats) and twisting four times per measurement (once per beat).
leg intersections. This move includes several kicks followed by a quick spin for a dazzling effect. Step to the side as you normally would for three strokes. On the fourth strike, raise your leg a little more than usual in preparation for the kick. On the first stroke, keep your upper body straight, and gently kick in front of you. Your leg should swing back on the second strike. Kick again on the 3rd hit, then, on the 4th hit, cross your kicked leg across your stationary leg and hold it on the floor. Use your momentum to complete a full cycle of pulses 1, 2, and 3 of the next measurement so that you return to your “normal” position when you hit 4.
Bachata Dance is most popular in dancing shows
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